Résultats pour "Attributed to Hokyo Mitsukazu (Japanese)"

29 191 estampes trouvéesAffichage des estampes 7 801 à 7 900

Estampe japonaise "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Wisteria: Nokaze of the Matsuzakaya in the Southern Direction (Minami no kata Matsuzakaya uchi Nokaze, fuji), from the series Beauties of the Floating World Compared to Flowers (Ukiyo bijin yosebana)" par Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Estampe japonaise "Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)" par Miki Tangetsu

Miki Tangetsu MFA

Estampe japonaise "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)" par Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Estampe japonaise "The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Estampe japonaise "Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Estampe japonaise "Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "This Shows a Woman Driving Nails into a Tree to Invoke the Death of a Faithless Lover; Illustration of poem by Chunagon Atsutada - Pl. 3 of portfolio of 4 from the Hyaku Nin Shu (One Hundred Poems as explained by the Nurse)" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "The Actor Bando Mitsugoro II in Ceremonial Robes with Kamishimo" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "Young Lady with Fan" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "The Courtesan Kisegawa of Matsubaya" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "The New Year Niwaka Festival in the Pleasure Quarters" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "Arashi Kitsusaburô II as Kajiwara Heiji" par Gigado Ashiyuki, 芦幸 (Gigadô Ashiyuki (Japanese, active first half of 19th century))

Estampe japonaise "Arashi Rikan II as Miyamoto Musashi" par Gigado Ashiyuki, 芦幸 (Gigadô Ashiyuki (Japanese, active first half of 19th century))

Estampe japonaise "Woman and Child Catching Fireflies" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "Scene from the Third Act of Chushingura between Okaru, Kanbei, and Bannai" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "Takao Sange no Den" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "Monkey Bridge at Koshu" par Utagawa Hiroshige, 歌川広重 (In the Style of Utagawa Hiroshige (Japanese, 1797–1858))

Estampe japonaise "View of the Imperial Carriage" par Utagawa Kunitoshi, 歌川国利 (Utagawa Kunitoshi (Japanese, active 2nd half of 19th century))

Estampe japonaise par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "End of the Year" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "A Party of Geisha in a Suzumi-bune, i.e. "cooling-off boat." (Second Scene of a Boating Party)" par Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Estampe japonaise "Triumphal Return with Captured Goods (Gaisen shuho mono otomo), and Triumphal Return Bringing Captured Ships (Gaisen shuhosen o tomo ni tsureru), from the series Comical Art Exhibit of the Sino-Japanese War (Nissei sensô shôraku gakai)" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "Parody of the Nô Play Hakurakuten (Two Figures Standing in Boats: Chinese Scholar Holding an Ink Orchid Painting and Japanese Girl Holding a Harunobu Bijin Pillar Print Scroll), Edo period, circa 1769-1770 (Meiwa 6-7)" par Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Harunobu Harvard

Estampe japonaise "Marube no omi Akimaro (Shoku Nihonkôki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Makinoya Naritsura and Gyokushôsha Bunko, Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "Hino no Kumawakamaru from the Record of the Great Peace (Hino no Kumawakamaru: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "Soga brothers (Soga Kyôdai: Soga monogatari), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Hana Someemon and Harunoya Narutake, Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" par Migita Toshihide, 右田年英 (Migita Toshihide)

Estampe japonaise "Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)" par Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Estampe japonaise "At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)" par Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)

Estampe japonaise "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" par Migita Toshihide, 右田年英 (Migita Toshihide)

Estampe japonaise "Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" par Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Estampe japonaise "Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)" par Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Estampe japonaise "Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "The Tale of Ono no Takamura from An Official Account of the Montoku Era (Ono no Takamura, Montoku jitsuroku), from the series Twenty-four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren, Honchô nijûshi kô)" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Estampe japonaise "Filial Son in Shinano (Shinano kôshi: Shasekishû), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko, Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "Filial Son in Musashi (Musashi no kôshi: Shasekishû), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Chiyodaan Matsutsuru and Kafûtei _ _, Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Wanting to Try It On Right Away (Hayaku kite mitai)/ Fungus from Kumano in Kii Province (Kishû Kumano ?), No. 18 from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Morning Mist at The Fudô Hall in Front of Ôyama (Ôyama mae Fudô, asagiri), cut from sheet 3 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "The Actors Bando Hikosaburo III as Obiya Choemon, and Iwai Hanshiro IV as Ohan of the Shinanoya (Sandai-me Bando Hikosaburo no Obiya Choemon to Yondai-me Iwai Hanshiro no Shinanoya Ohan)" par Toshusai Sharaku, 東洲斎写楽 (Toshusai Sharaku)

Estampe japonaise "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Desiring to View the Cherry Blossoms (Hana o goran asobashitai)/Konbu and Nori Seaweeds from Tsushima Province (Tsushima konbu nori), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Ôiso: Travelling Monks, Country Doctor, and Goze Musicians, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "[Fukurokuju, the god of wisdom, wealth, long life, and happiness, one of the seven lucky gods, facing left, wearing robes and a hat, with a red-crowned crane standing to his right]" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise ""Our Ship, the Sazanami, seized the enemy warship, which was about to sink because of leakage of water. Brave sailors on our ship removed the battle flag at risk of their lives. March 10, 1904."" par Kôkyo

Estampe japonaise "Major General Ôdera Crossing the Sanzu River (Ôdera shôshô Sanzugawa o norikiri), and Triumphal Return: Joy of Parents and Children (Gaisen oyako no yorokobi), from the series Comical Art Exhibit of the Sino-Japanese War (Nissei sensô shôraku gakai)" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "The Wife of a Prosperous Commoner Out With Her Attendants to view Cherry Blossoms- double-page illustration (sheets 17-18) from volume I of the book Ehon Tokiwa-gusa (Picture Book of Evergreens)" par Nishikawa Sukenobu, 西川祐信 (Nishikawa Sukenobu)

Sukenobu Worcester

Estampe japonaise "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" par Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Estampe japonaise "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" par Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Estampe japonaise "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" par Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Estampe japonaise "[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]" par Unknown, 無款 (null)

Estampe japonaise "Ayabu: Sudden Shower in the Sixth Month (Minazuki no yûdachi), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Tatsu: First Carp Banners in the Fifth Month (Satsuki hatsunobori), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Hiraku: Pine Decorations in the First Month (Mutsumashizuki [=Mutsuki] matsukazari), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Naru: Long Days in the Fourth Month (Uzuki no hinaga), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" par Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Estampe japonaise "Rikusen dai-ichi Nippon gun dai shori: Teishu nammon-gai ni oite Kurokawa tai-i funsen no zu (Great victory for the First Japanese army in the continental war: The attack of Captain Kurokawa outside the South Gate of Dingzhou)" par Matsuno Yonejiro

Matsuno Yonejiro BM

Estampe japonaise "Kusunoki Tatewaki Masatsura from the Record of the Great Peace (Kusunoki Masatsura: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poem by Takenoya Torazumi, Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "Dancing Girl Mimyô from the Mirror of the East (Maime Mimyô: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poem by Haginoya Torikane, Edo period, circa 1821-1822" par Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Estampe japonaise "Thistle Pattern (Moyô no azami): (Actor Kawarazaki Gonjûrô I as) Kagekiyo on the Way to Kiyomizu (Kiyomizu môde no Kagekiyo), from the series Popular Matches for Thirty-six Selected Flowers (Tôsei mitate sanjûroku kasen)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" par Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Estampe japonaise "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Nozoku: Cleaning the Well in the Seventh Month (Fumizuki no idogae), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Taira: Cherry-blossom Viewing in the Third Month (Yayoi no hanami), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Estampe japonaise "Kawasaki: Horse Drivers Waiting for Riders (Umakata norite o matsu), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Triptych: Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" par Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Estampe japonaise "Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" par Mizuno Kumejiro

Mizuno Kumejiro MAK

Estampe japonaise "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" par Mizuno Kumejiro

Mizuno Kumejiro MAK

Estampe japonaise "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" par Mizuno Kumejiro

Mizuno Kumejiro MAK

Estampe japonaise "Printer's woodblock" par Utagawa Toyokuni I, 歌川豊国 (Original print designed by Utagawa Toyokuni I (Japanese, 1769–1825))

Estampe japonaise "Mouse and Mallet" par Ogata Gekko, 尾形月耕 (Ogata Gekko)

Ogata Gekko Artelino

Estampe japonaise "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "May 1, 1904 Our Army Occupied Jiuliyu, Hushan and Jiuliancheng-- It Is Worth Boasting to the World about the Bravery of Our Soldiers (Meiji sanjûshichi nen gogatsu tsuitachi waga gun Kurishima oyobi Kosan narabini Kyûrenjô...)" par Utagawa Kokunimasa (Ryûa)

Utagawa Kokunimasa (Ryûa)MFA

Estampe japonaise "Captain Higuchi, Battalion Commander of the Sixth Division, While Occupying the Gun Emplacements at Zhaobeizui [in the Battle of Weihaiwei], Saw a Child of the Enemy Lying on the Ground and Came to Its Aid..." par Migita Toshihide, 右田年英 (Migita Toshihide)

Estampe japonaise "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824" par Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)

Estampe japonaise "Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824" par Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)