Résultats pour "To_so_"

14 506 estampes trouvéesAffichage des estampes 3 001 à 3 100

Estampe japonaise ", Edo Period, 15 vols. complete, original covers, original title slip except vol. 3, very good to good impressions, some minor wormholes" par Unknown, 無款 (null)

Estampe japonaise "Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha, from" par Unknown, 無款 (null)

Estampe japonaise "Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha), from" par Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)

Yoshitoshi HRSHB

Estampe japonaise "Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha), from" par Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)

Yoshitoshi HRSHB

Estampe japonaise "Contemporary Famous Happenings (Kinsei kisekikô) in 5 volumes, with designs by Kita Busei (1776-1856), Late Edo period, dated to the 1st year of the Bunka Era (1804)" par Kitao Masanobu

Kitao Masanobu Harvard

Estampe japonaise "Returning Geese (Kigan), Vol. 1, Early Edo period, mid to late 17th century" par Hishikawa Moronobu, 菱川師宣 (Hishikawa Moronobu)

Moronobu Harvard

Estampe japonaise "Returning Geese (Kigan), Vol. 2, Early Edo period, mid to late 17th century" par Hishikawa Moronobu, 菱川師宣 (Hishikawa Moronobu)

Moronobu Harvard

Estampe japonaise "Returning Geese (Kigan), Vol. 3, Early Edo period, mid to late 17th century" par Hishikawa Moronobu, 菱川師宣 (Hishikawa Moronobu)

Moronobu Harvard

Estampe japonaise "Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "River Scene with Figures in Boats, Late Edo period, early to mid 19th century" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)

Kunisada Harvard

Estampe japonaise "Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893" par Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Kunichika Harvard

Estampe japonaise "Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893" par Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Kunichika Harvard

Estampe japonaise "Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata), Meiji period, datable to September 1, 1900" par Toyohara Chikanobu, 豊原周延 (Toyohara Chikanobu)

Chikanobu Harvard

Estampe japonaise "Triptych: Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893" par Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Kunichika Harvard

Estampe japonaise "Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893" par Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Kunichika Harvard

Estampe japonaise "Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata), Meiji period, datable to September 1, 1900" par Toyohara Chikanobu, 豊原周延 (Toyohara Chikanobu)

Chikanobu Harvard

Estampe japonaise "Warriors Illustrated: China and Japan (Wakan ehon sakigake), Late Edo period, dated to the 1st month of the 7th year of Tempô (1836)" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Sagami Jirô and Taira no Masakado, from the series Yoshitoshi's Incomparable Warriors (Yoshitoshi mushaburui), Meiji period, datable to 1883" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Tamagawa River in Hagi (Hagi no Tamagawa), from the series Six Tama Rivers (Roku Tamagawa no uchi), Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Three Women Performing Early Morning Chores (in the Year of the Dragon, 1796), Late Edo period, dated to Kansei 8 (1796)" par Tawaraya Sôri

Tawaraya Sôri Harvard

Estampe japonaise "Actor Arashi Sangorô with Rice Bales, Edo period, circa mid to late 18th century" par Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô)

Shunsho Harvard

Estampe japonaise "Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Making Bamboo Curtains/The Bamboo Blind Shell (Sudaregai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Boys Playing Sugoroku/The Pink Shell (Nadeshikogai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "View of Enoshima (First Work on the First Day of the Year of the Goat, 1799), Edo period, dated to 1799 (Kansei 11)" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Actor Ichikawa Danjûrô 7th as Goemon in Pillar-Grasping (Hashira-maki) Pose, Edo period, circa 1830-1835 (early to mid Tenpô era)" par Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)

Kunisada Harvard

Estampe japonaise "Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Women Hanging Strips of Dried Sea-Ear/The Abalone Shell (Awabi), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Court Ladies with Caged Pheasant/The Univalve Shell (Katatsugai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Hand Mirror and Hair Ornaments/The Color Shell (Irogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Artist's Possessions/The White Shell (Shiragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Recycling Paper/The Fulling Block Shell (Kinutagai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Singing-Frog Cage and Screen/The Dry-Shallows Shell (Minasegai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Daikoku Conjuring Rats from His Pipe Smoke, Edo period, circa mid to late 18th century" par Isoda Koryusai, 磯田湖龍齋 (Isoda Koryûsai)

Koryusai Harvard

Estampe japonaise "Comparing Modern Women (Tôsei bijin awase), Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Fashionable Weaving Mill (Fûryû shokuden zu), Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Seventh Month, from the series Annual Events of the Twelve Months (Fûryû nenjû gyôji), Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya..., Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Actor Ichikawa Danjûrô 2nd as a Komuso, Mid Edo period, datable to 1730" par Torii Kiyomasu (Torii Kiyomasu)

Kiyomasu I Harvard

Estampe japonaise "Woman Seated in Front of a Sliding Door, Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Women's Fans of the Modern Style (Imayô onna ôgi), Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Actors Ichimura Uzaemon 8th and Sawamura Sôjûrô 1st in the play the Soga Brothers' Revenge, Edo period, datable to 1730" par Torii Kiyonobu II, 鳥居清信 (Torii Kiyonobu II)

Kiyonobu II Harvard

Estampe japonaise "Actors Ichikawa Danjûrô 2nd, Sanjô Kantarô and an Unidentified Actor in a Brawl, Edo period, datable to 1720" par Torii Kiyomasu (Torii Kiyomasu)

Kiyomasu I Harvard

Estampe japonaise "Actor Ichikawa Danjûrô 2nd Dancing in the Aragoto Style, Mid Edo period, datable to 1720" par Torii Kiyomasu (Torii Kiyomasu)

Kiyomasu I Harvard

Estampe japonaise "Actors Ichikawa Monnosuke 1st and Iwai Hanshirô 3rd In Front of a Theater, Edo period, datable to 1720" par Torii Kiyomasu (Torii Kiyomasu)

Kiyomasu I Harvard

Estampe japonaise "Actor HAYAKAWA HASSE AS A COURTESAN SEATED ON THE TRUNK OF A CHERRY TREE, Mid Edo period, datable to 1710" par Torii Kiyonobu (Torii Kiyonobu)

Kiyonobu I Harvard

Estampe japonaise "Moon Goddess Chang'e, Rabbit Making New Year's Cake and a Geisha Playing Shamisen, second from the series Year of the Rabbit Handle Stories (Usagidoshi totte banashi ni), with poems by Tô Shôon, Kokuhaku Sekimen and Shinra Banshô, Edo period, possibly 1819" par Ryuryukyo Shinsai, 柳々居辰斎 (Ryûryûkyo Shinsai)

Ryuryukyo Shinsai Harvard

Estampe japonaise "Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Triptych: Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890" par Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Estampe japonaise "Cranes on the Seashore/The Reed Shell (Ashigai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase), Edo period, datable to 1821" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Estampe japonaise "Two Standing Ladies with a Plant, Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "Woman at Toilette in Front of Black Chest of Drawers, Late Edo period, circa early to mid 19th century" par Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)

Estampe japonaise "April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo" par Toyohara Chikanobu, 豊原周延 (Hashimoto Chikanobu)

Chikanobu Honolulu

Estampe japonaise "April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo" par Toyohara Chikanobu, 豊原周延 (Hashimoto Chikanobu)

Chikanobu Honolulu

Estampe japonaise "April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo" par Toyohara Chikanobu, 豊原周延 (Hashimoto Chikanobu)

Chikanobu Honolulu

Estampe japonaise "The Emperor, Empress, Crown Prince and court ladies on an outing to Asuka Park" par Toyohara Chikanobu, 豊原周延 (Chikanobu Yoshu (1838-1912) Toyohara (楊洲周延))

Chikanobu JAODB

Estampe japonaise "[Warrior, full-length, facing left, with bow drawn, about to shoot an arrow, includes several types of targets]" par Unknown, 無款 (null)

Estampe japonaise "[Warrior, full-length, facing left, with bow drawn, about to shoot an arrow at a target]" par Unknown, 無款 (null)

Estampe japonaise "[Man wearing a sokutai, a long ceremonial robe, offering branches to a fire]" par Unknown, 無款 (null)

Estampe japonaise "[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]" par Unknown, 無款 (null)

Estampe japonaise "[Chinese Emperor(?) and Empress(?) seated on raised platform with musicians seated in front of them; the Emperor appears to have lost his nose and part of his right shoulder, the Empress part of her scalp]" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "[Humorous picture showing Chinese religious practices (Raijin, the Japanese God of Thunder, ranting to a crowd of Chinese Buddhist worshippers)]" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "[A Russian officer and a Japanese officer are standing on a large map, the Japanese officer has pulled up a piece of the map causing the Russian officer to slip and fall]" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "[A Russian woman is having a nightmare showing disasterous defeats of the Russian army and navy on all fronts in the war against Japan; she is being attended to by a doctor who is taking her pulse, two maids, and a member of the clergy, possibly a bishop]" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]" par Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Estampe japonaise "May 1904 Japan seconds army preoccupation Furanten, China, and is picture to breaking the iron bridge every place" par Kuroki

Estampe japonaise "[Hotei, the god of good fortune, one of the seven lucky gods, seated, facing front, next to his bottomless bag of goods on which a small child is sitting and who appears to be cleaning Hotei's left ear]" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "[A man, wearing a large conical hat and a straw or feather garment, attempting to turn on end a barrel-like object, possibly a mochi tub; on the ground next to him is long-handled mallet]" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "[Two men, one on his hands and knees crawling, the other is sitting on the first man's back, facing forward, holding a paddle over his head, about to strike the man on his exposed buttocks]" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "[A man and a woman, seen from behind, are looking to where the man is pointing with his left arm, he holds a closed parasol in his right hand; the woman has her hands on her face, it is unclear whether she is peering into the distance or crying]" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "[A woman, possibly a courtesan, seated, facing right, with her head turned to look back over her right shoulder, wearing several hairpins]" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" par Mizuno Kumejiro

Mizuno Kumejiro MAK

Estampe japonaise "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" par Mizuno Kumejiro

Mizuno Kumejiro MAK

Estampe japonaise "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" par Mizuno Kumejiro

Mizuno Kumejiro MAK

Estampe japonaise "Two Views: Waterfront at Kaigan-chô, 3-chome and 4-chome, and the Entrance to the Gankirô Tea House" par Utagawa Sadahide, 歌川貞秀 (Gountei Sadahide (Japanese, 1807–1873))

Estampe japonaise "An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder" par Torii Kiyomasu I, 鳥居清倍 (Torii Kiyomasu I (Japanese, active 1696–1716))

Estampe japonaise "Gyoku-kashi Eimo, a Girl of Nine Years, making One Thousand Writings to Present to Asakusa Dera" par Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga (Japanese, 1742–1815))

Estampe japonaise "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" par Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Estampe japonaise "Picture of the Lower Class (Gebon no zu), from the series Three Ranks of Young Women According to Their Fashion (Fûzoku sandan musume)" par Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Estampe japonaise "Picture of the Middle Class (Chûbon no zu), from the series Three Ranks of Young Women According to Their Fashion (Fûzoku sandan musume)" par Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Estampe japonaise "Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" par Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Estampe japonaise "Pagoda in rain at dusk (at Yanaka, Tokyo). Ame ni Kururu To (Tokyo, Yanaka)" par Kasamatsu Shiro, 笠松紫浪 (Kasamatsu Shiro)

Estampe japonaise "Yosha Bako. Box with deep cover and open slots in shape of battledores, to hold letters answered or to be attended to. Series: Kojitsu Yogu Zukushi; Tsukimachi, juban no uchi. (Traditional Useful Objects, Illustrated; "Moonwaiting," 1 of 10." par Bokujin

Estampe japonaise "View in Ueno Park; the Hyokeikan and Bijutsukan buildings, 90th view (Ueno Fukei; Hyokeikan to Bijutsukan Dai Kuju Kei), from the series Prints of a Hundred Views of Great Tokyo in the Showa Era (Shôwa dai Tôkyô fûkei hyaku zue hanga)" par Koizumi Kishio

Koizumi Kishio MFA

Estampe japonaise "Courtesan Hanazuma of the Hyôgoya and Kenbishi Sake by Sakagami (Hyôgoya Hanazuma, Sakagami no Kenbishi), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" par Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Estampe japonaise "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" par Migita Toshihide, 右田年英 (Migita Toshihide)

Estampe japonaise "Man presenting box for Noh mask. From Hokusai Gafu, frontispiece to vol. 3" par Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Estampe japonaise "Zuiryû-ji Temple, Popularly Called Priest Tetsugen's Temple (Zuiryû-ji, zoku ni Tetsugen-ji to iu), from the series One Hundred Views of Osaka (Naniwa hyakkei no uchi)" par Hasegawa Sadanobu I, 代長谷川貞信 (Hasegawa Sadanobu I)

Estampe japonaise "Eight Views of Japan, Kiyomigaseki (Yamato hakkei, Kiyomigaseki): Nagao of the Owariya, from the series Courtesans Compared to Eight Views (Keisei mitate hakkei)" par Utagawa Kuniyasu, 歌川国安 (Utagawa Kuniyasu)

Estampe japonaise "Eight Views of Japan, Mount Tatsuta (Yamato hakkei, Tatsuyama): Egawa of the Maru-Ebiya, from the series Courtesans Compared to Eight Views (Keisei mitate hakkei)" par Utagawa Kuniyasu, 歌川国安 (Utagawa Kuniyasu)